Not every set in FILTH is built from scratch. Many of the pieces have been redressed and used twice, three, even four times. Cover up a door, turn the thing upside down, change some window trim, repaint and you’ve got yourself a new piece. This is by no means revolutionary. It was standard operating procedure in the days before CGI took a bite out of the need for making models. Some the best work ever done was in the 1980’s (Bladerunner being a high water mark for me) I learned just about everything I know about making models from that era. With all of the linking scenes for FILTH completed I am now a couple of weeks away from finishing the last set.
a film by ADAM CIOLFI 