WORKING MAN

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This is a big set, easily the largest of the film. Not just in scale, some of the exterior city streets were about the same size but they didn’t require this level of detail. My guys are going to move through this entire room which means every corner, every angle, every prop needs to be completely finished. The addition of the ceiling with its practical lights will have a huge impact on its final appearance. It’s quite startling how one element can push something over the edge.

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