SUMMER DAYS IN A BASEMENT

animating

I’m animating again. The last scene, 133 shots, all muscle. I’ve just past the ninth month of filming which means FILTH is now my second longest shoot. By way of comparison The Lady of Names was 9 years in front of the camera and I will never ever do that again … EVER! The odd thing is, since November 2012 I’ve been working on one film or another pretty much without a break and if I were to move into another 2 year project after FILTH (that idea I had is starting to evolve) that’ll take me to 2021 … which would make it … 9 YEARS.

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