A CHANGE IN THE BATTING ORDER

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Normally when I hit post production I like to lock down the visuals, do a complete sound edit then move on to the music but this time around, for mundane reasons not worth mentioning here, I’ve decided to work on the music ahead of the sound edit. The music for FILTH is very melodic and is now actually influencing the final edit. In essence I am cutting scenes to the beat in many cases which gives the whole film a driving pace. This wasn’t my intention when I started but it has proven to be so effective that I will be working this way on every project moving forward.

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