5 r

It’s starting to dawn on me how many incidental props I’m going to need for this film.  First there are the clothes; hats, belts, coats, spurs. Everybody needs a gun. There’s a scene in a bar; tables, chairs, bottles, glasses, a piano. There’s a scene in a blacksmith shop; stove, irons, saddles, buckets, shovels, anvils, ropes, chains. A scene in an office.  A scene in a cabin. Then there are the exterior street shots with all the building fronts. With each new film I try to up the difficulty but this is going to take a whole lot of patients and time to get it right (thank you George Harrison) The two year window that’s been established with the last three films will likely be exceeded. On the other hand … it has the potential to look exceptional.


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