The first armature for FROM HELL HE RIDES is finished. I find the process of making skeletons very relaxing. There’s something about the finished product that I find very appealing. By contrast, sculpting can be absolutely grueling. You’d think it would be the other way around (and for most I bet it is) but I’ve always been attracted to the mechanics of stop motion animation. There’s a real art to engineering a good skeleton.
a film by ADAM CIOLFI 