When the walls start going up the animating is not far behind. FROM HELL HE RIDES will be a set heavy film. There’s a half dozen main locations and they will all need a lot of detail. Once again, I’ve set the film mainly at night to cut down on some of the work. Plus I like moody lighting. This film is closer in tone to an actual horror film than any of my previous work. It’s no more violent then FILTH but because it’s in colour will make it seem much more graphic. I feel like I’m on the verge of some kind of trilogy. Film noir. Spaghetti western. Maybe a giallo will finish it off.