I’ve been a little more relaxed when it comes to lighting on this film. In the past I’ve tried to make sure that all my light was motivated, that it made sense as far as the geography of a set was concerned. That’s a little harder to do with this film so I’m taking liberties. It’s a fine line to walk, pushing the limits as to what an audience will accept. Being that FROM HELL HE RIDES is an animated film gives me a little more leeway in that no one is expecting reality. A few more adjustments and I’ll be animating again.