I think I’ve taken the violence in stop motion as far as I intend to. That’s not to say FROM HELL HE RIDES is some kind of blood bath because it’s not. FILTH holds that honour but FILTH was over the top which helped take some of the edge off whereas FROM HELL HE RIDES is not. It’s played straight … which has me thinking about the future and what I might do next. While I have made no concrete decisions I can say there is something on my mind.
a film by ADAM CIOLFI 